It by Stephen King
door into spring.
The year's work began with the rock harvest. Every day for a week they would take the A out and load the bed with rocks which might break a harrow-blade when the time came to turn the earth and plant. Sometimes the truck would get stuck in the mucky spring earth and Will would mutter darkly under his breath . . . more swears, Mike surmised. He knew some of the words and expressions; others, such as "son of a whore," puzzled him. He had come across the word in the Bible, and so far as he could tell, a whore was a woman who came from a place called Babylon. He had once set out to ask his father, but the A had been in mud up to her coil-springs, there had been thunderclouds on his father's brow, and he had decided to wait for a better time. He ended up asking Richie Tozier later that year and Richie told him his father had told him a whore was a woman who got paid for having sex with men. "What's having sex?" Mike had asked, and Richie had wandered away holding his head.
On one occasion Mike had asked his father why, since they harvested rocks every April, there were always more of them the following April.
They had been standing at the dumping-off place near sunset on the last day of that year's rock harvest. A beaten dirt track, not quite serious enough to be called a road, led from the bottom of the west field to this gully near the bank of the Kenduskeag. The gully was a jumbled wasteland of rocks that had been dragged off Will's land through the years.
Looking down at this badlands, which he had made first alone and then with the help of his son (somewhere under the rocks, he knew, were the rotting remains of the stumps he had yanked out one at a time before any of the fields could be tilled), Will had lighted a cigarette and said, "My daddy used to tell me that God loved rocks, houseflies, weeds, and poor people above all the rest of His creations, and that's why He made so many of them."
"But every year it's like they come back."
"Yeah, I think they do," Will said. "That's the only way I know to explain it."
A loon cried from the far side of the Kenduskeag in a dusky sunset that had turned the water a deep orange-red. It was a lonely sound, so lonely that it made Mike's tired arms tighten with gooseflesh.
"I love you, Daddy," he said suddenly, feeling his love so strongly that tears stung his eyes.
"Why, I love you too, Mikey," his father said, and hugged him tight in his strong arms. Mike felt the rough fabric of his father's flannel shirt against his cheek. "Now what do you say we go on back? We got just time to get a bath each before the good woman puts supper on the table."
"Ayuh," Mike said.
"Ayuh yourself," Will Hanlon said, and they both laughed, feeling tired but feeling good, arms and legs worked but not overworked, their hands rock-roughened but not hurting too bad.
Spring's here, Mike thought that night, drowsing off in his room while his mother and father watched The Honeymooners in the other room. Spring's here again, thank You God, thank You very much. And turning to sleep, sinking down, he had heard the loon call again, the distance of its marshes blending into the desire of his dreams. Spring was a busy time, but it was a good time.
Following the rock harvest, Will would park the A in the high grass back of the house and drive the tractor out of the barn. There would be harrowing then, his father driving the tractor, Mike either riding behind and holding on to the iron seat or walking alongside, picking up any rocks they had missed and throwing them aside. Then came planting, and following the planting came summer's work: hoeing . . . hoeing . . . hoeing. His mother would refurbish Larry, Moe, and Curly, their three scarecrows, and Mike would help his father put mooseblowers on top of each straw-filled head. A mooseblower was a can with both ends cut off. You tied a length of heavily waxed and rosined string tightly across the middle of the can and when the wind blew through it a wonderfully spooky sound resulted--a kind of whining croak. Crop-eating birds decided soon enough that Larry, Moe, and Curly were no threats, but the mooseblowers always frightened them off.
Starting in July, there was picking as well as hoeing--peas and radishes first, then the lettuce and the tomatoes that had been started in the shed-boxes, then the corn and beans in August, more corn and beans in September, then the pumpkins and the squash. Somewhere in the midst of all that came the new potatoes, and then, as the days shortened and the air sharpened, he and his dad would take in the mooseblowers (and sometime during the winter they would disappear; it seemed they had to make new ones each spring). The day after, Will would call Norman Sadler (who was as dumb as his son Moose but infinitely more goodhearted), and Normie would come over with his potato-digger.
For the next three weeks all of them would work picking potatoes. In addition to the family, Will would hire three or four high-school boys to help pick, paying them a quarter a barrel. The A-Ford would cruise slowly up and down the rows of the south field, the biggest field, always in low gear, the tailgate down, the back filled with barrels, each marked with the name of the person picking into it, and at the end of the day Will would open his old creased wallet and pay each of the pickers cash money. Mike was paid, and so was his mother; that money was theirs, and Will Hanlon never once asked either of them what they did with it. Mike had been given a five-percent interest in the farm when he was five years old--old enough, Will had told him then, to hold a hoe and to tell the difference between witchgrass and pea-plants. Each year he had been given another one percent, and each year, on the day after Thanksgiving, Will would compute the farm's profits and deduct Mike's share . . . but Mike never saw any of that money. It went into his college account and was to be touched under absolutely no other circumstances.
At last the day would come when Normie Sadler drove his potato-digger back home; by then the air would have most likely turned gray and cold and there would be frost on the drift of orange pumpkins piled against the side of the barn. Mike would stand in the dooryard, his nose red, his dirty hands stuffed into his jeans pockets, and watch as his father drove first the tractor and then the A-Ford back into the barn. He would think: We're getting ready to go to sleep again. Spring . . . vanished. Summer . . . gone. Harvest-time . . . done. All that was left now was the butt end of autumn: leafless trees, frozen ground, a lacing of ice along the banks of the Kenduskeag. In the fields, crows would sometimes land on the shoulders of Moe, Larry, and Curly, and stay as long as they liked. The scarecrows were voiceless, threatless.
Mike would not exactly be dismayed by the thought of another year ending--at nine and ten he was still too young to make mortal metaphors--because there was plenty to look forward to: sledding in McCarron Park (or on Rhulin Hill out here in Derrytown if you were brave, although that was mostly for big kids), ice-skating, snowball fights, snowfort building. There was time to think about snowshoeing out for a Christmas tree with his daddy, and time to think about the Nordica downhill skis he might or might not get for Christmas. Winter was good . . . but watching his father drive the A back into the barn
(spring vanished summer gone harvest-time done)
always made him feel sad, the way the squadrons of birds heading south for the winter made him feel sad, or the way a certain slant of light could sometimes make him feel like crying for no good reason. We're getting ready to go to sleep again....
It was not all school and chores, chores and school; Will Hanlon had told his wife more than once that a boy needed time to go fishing, even if it wasn't fishing he was really doing. When Mike came home from school he first put his books on the TV in the parlor, second made himself some kind of snack (he was particularly partial to peanut-butter-andonion sandwiches, a taste that made his mother raise her hands in helpless horror), and third studied the note his father had left him, telling Mike where he, Will, was and what Mike's chores were--certain rows to be weeded or picked, baskets to be carried, produce to be rotated, the barn to be swept, whatever. But on at least one schoolday a week--and sometimes two--there would be no note. And on these days Mike would go fishing, even if it wasn't really fishing he was doing. Those were great days . . . days when he had no particular place to go and consequently felt no urge to get there in a hurry.
Once in awhile his father left him another sort of note: "No chores," one might say. "Go over to Old Cape & look at trolley tracks." Mike would go over to the Old Cape area, find the streets with the tracks still embedded in them, and inspect them closely, marvelling to think of things like trains that had run right through the middle of the streets. That night he and his father might talk about them, and his dad would show him pictures from his Derry album of the trolleys actually running: a funny pole went from the roof of the trolley up to an electrical wire, and there were cigarette ads on the side. Another time he had sent Mike to Memorial Park, where the Standpipe was, to look at the birdbath, and once they had gone to the courthouse together to look at a terrible machine that Chief Borton had found in the attic. This gadget was called a tramp-chair. It was cast-iron, and there were manacles built into the arms and legs. Rounded knobs stuck out of the back and seat. It reminded Mike of a photograph he had seen in some book--a photograph of the electric chair at Sing Sing. Chief Borton let Mike sit in the tramp-chair and try on the manacles.
After the first ominous novelty of wearing the manacles wore off, Mike looked questioningly at his father and Chief Borton, not sure why this was supposed to be such a horrible punishment for the "vags" (Borton's word for them) that had drifted into town in the twenties and thirties. The knobs made the chair a little uncomfortable to sit in, sure, and the manacles on your wrists and ankles made it hard to shift to a more comfortable position, but--
"Well, you're just a kid," Chief Borton said, laughing. "What do you weigh? Seventy, eighty pounds? Most of the vags Sheriff Sully posted into that chair in the old days would go twice that. They'd feel a bit oncomfortable after an hour or so, really oncomfortable after two or three, and right bad after four or five. After seven or eight hours they'd staat bellerin, and after sixteen or seventeen they'd staat cryin, mostly. And by the time their twenty-four-hour tour was up, they'd be willin to swear before God and man that the next time they came riding the rods up New England way they'd give Derry a wide berth. So far as I know, most of em did. Twenty-four hours in the tramp-chair was a helluva persuader."
Suddenly there seemed to be more knobs in the chair, digging more deeply into his buttocks, spine, the small of his back, even the nape of his neck. "Can I get out now, please?" he said politely, and Chief Borton laughed again. There was a moment, one panicked instant of time, when Mike thought the Chief would only dangle the key to the manacles in front of Mike's eyes and say, Sure I'll let you out ... when your twenty-four hours is up.
"Why did you take me there, Daddy?" he asked on the way home.
"You'll know when you're older," Will had replied.
"You don't like Chief Borton, do you?"
"No," his father had replied in a voice so curt that Mike hadn't dared ask any more.
But Mike enjoyed most of the places in Derry his father sent or took him to, and by the time Mike was ten Will had succeeded in conveying his own interest in the layers of Derry's history to his son. Sometimes, as when he had been trailing his fingers over the slightly pebbled surface of the stand in which the Memorial Park birdbath was set, or when he had squatted down to look more closely at the trolley tracks which grooved Mont Street in the Old Cape, he would be struck by a profound sense of time . . . time as something real, as something that had unseen weight, the way sunlight was supposed to have weight (some of the kids in school had laughed when Mrs. Greenguss told them that, but Mike had been too stunned by the concept to laugh; his first thought had been, Light has weight? Oh my Lord, that's terrible!) ... time as something that would eventually bury him.
The first note his father left him in that spring of 1958 was scribbled on the back of an envelope and held down with a saltshaker. The air was spring-warm, wonderfully sweet, and his mother had opened all the windows. No chores, the note read. If you want to, ride your bike out to Pasture Road. You'll see a lot of tumbled masonry and old machinery out in the field on your left. Have a look around, bring back a souvenir. Don't go near the cellarhole! And be back before dark. You know why.
Mike knew why, all right.
He told his mother where he was going and she frowned. "Why don't you see if Randy Robinson wants to go with you?"
"Yeah, okay, I'll stop by and ask him," Mike said.
He did, too, but Randy had gone up to Bangor with his father to buy seedling potatoes. So Mike rode his bike over to Pasture Road alone. It was a goodish ride--a little over four miles. Mike reckoned it was three o'clock by the time he leaned his bike against an old wooden slat-fence on the left side of Pasture Road and climbed into the field beyond. He would have maybe an hour to explore and then he would have to start home again. Ordinarily, his mother would not be upset with him as long as he was back by six, when she put dinner on the table, but one memorable episode had taught him that wasn't the case this year. On that one occasion when he had been late for dinner, she had been nearly hysterical. She took after him with a dishrag, whopping him with it as he stood open-mouthed in the kitchen entryway, his wicker creel with the rainbow trout in it at his feet.
"Don't you ever scare me like that!" she had screamed. "Don't you ever! Don't you ever! Ever-ever-ever!"
Each ever had been punctuated by another dishrag swat. Mike had expected his father to step in and put a stop to it, but his father hadn't done so.... Perhaps he knew that if he did she would turn her wildcat anger on him as well. Mike had learned the lesson; one whopping with the dishrag was all it took. Home before dark. Yes ma'am, right-o.
He walked across the field toward the titanic ruins standing in the center. This was, of course, the remains of the Kitchener Ironworks--he had ridden past it but had never thought to actually explore it, and he had never heard any kids saying that they had. Now, stooping to examine a few tumbled bricks that had formed a rough cairn, he thought he could understand why. The field was dazzlingly bright, washed by sun from the spring sky (occasionally, as a cloud passed before the sun, a great shutter of shadow would travel slowly across the field), but there was something spooky about it all the same--a brooding silence that was broken only by the wind. He felt like an explorer who has found the last remnants of some fabulous lost city.
Up ahead and to the right, he saw the rounded side of a massive tile cylinder rising out of the high field grass. He ran over to it. It was the Ironworks' main smokestack. He peered into its bore, and felt a fresh chill worm up his spine. It was big enough so he could have walked into it if he had wanted. But he didn't want to; God knew what strange guck there might be, clinging to the smoke-blackened inner tiles, or what nasty bugs or beasts might have taken up residence inside. The wind gusted. When it blew across the mouth of the fallen stack it made a sound eerily like the sound of the wind vibrating the waxed strings he and his dad put in the mooseblowers every spring. He stepped back nervously, suddenly thinking about the movie he and his father had watched last night on the Early Show. It had been called Rodan, and watching it had seemed like great fun at the time, his father laughing and shouting "Git that bird, Mikey!" every time Rodan made its appearance, Mike shooting with his finger until his mom popped her head in and told them to hush up before they gave her a headache with the noise.
It didn't seem so funny now. In the movie Rodan had been released from the bowels of the earth by these Japanese coal-miners who had been digging the world's deepest tunnel. And looking into the black bore of this pipe, it was all too easy to imagine that bird crouched at the far end, leathery batlike wings folded over its back, staring at the small, round boyface looking into the darkness, staring, staring with its gold-ringed eyes....
Shivering, Mike pulled back.
He walked aways down the smokestack, which had sunken into the earth to half of its circumference. The land rose slightly, and on impulse he scrambled his way up on top. The stack was a lot less scary on the outside, its tiled surface sunwarm. He got to his feet and strolled along, holding his arms out (the surface was really too wide for him to need to worry about falling off, but he was pretending he was a tightwire-walker in the circus), liking the way the wind blew through his hair.
At the far end he jumped down and began to examine stuff: more bricks, twisted molds, hunks of wood, pieces of rusty machinery. Bring back a souvenir, his father's note had said: he wanted a good one.
He wandered closer to the mill's yawning cellarhold, looking at the debris, being careful not to cut himself on the broken glass. There was a lot of it around.
Mike was not unmindful of the cellarhold and his father's warning to stay out of it; neither was he unmindful of the death that had been dealt out on this spot fifty-odd years before. He supposed that if there was a haunted place in Derry, this was it. But either in spite of that or because of it, he was determined to stay until he found something really good to take back and show his father.
He moved slowly and soberly toward the cellarhold, changing his course to parallel its ragged side, when a warning voice inside whispered that he was getting too close, that a bank weakened by the spring rains could crumble under his heels and pitch him into that hole, where God only knew how much sharp iron might be waiting to impale him like a bug, leaving him to die a rusty twitching death.
He picked up a window-sash and tossed it aside. Here was a dipper big enough for a giant's table, its handle rippled and warped by some unimaginable flash of heat. Here was a piston too big for him to even budge, let alone lift. He stepped over it. He stepped over it and--
What if I find a skull? he thought suddenly. The skull of one of the kids who were killed here while they were hunting for chocolate Easter eggs back in nineteen-whenever-it-was?
He looked around the sunwashed empty field, nastily shocked by the idea. The wind blew a low conch-note in his ears and another shadow cruised silently across the field, like the shadow of a giant bat . . . or bird. He became aware all over again of how quiet it was here, and how strange the field looked with its straggling piles of mas
The year's work began with the rock harvest. Every day for a week they would take the A out and load the bed with rocks which might break a harrow-blade when the time came to turn the earth and plant. Sometimes the truck would get stuck in the mucky spring earth and Will would mutter darkly under his breath . . . more swears, Mike surmised. He knew some of the words and expressions; others, such as "son of a whore," puzzled him. He had come across the word in the Bible, and so far as he could tell, a whore was a woman who came from a place called Babylon. He had once set out to ask his father, but the A had been in mud up to her coil-springs, there had been thunderclouds on his father's brow, and he had decided to wait for a better time. He ended up asking Richie Tozier later that year and Richie told him his father had told him a whore was a woman who got paid for having sex with men. "What's having sex?" Mike had asked, and Richie had wandered away holding his head.
On one occasion Mike had asked his father why, since they harvested rocks every April, there were always more of them the following April.
They had been standing at the dumping-off place near sunset on the last day of that year's rock harvest. A beaten dirt track, not quite serious enough to be called a road, led from the bottom of the west field to this gully near the bank of the Kenduskeag. The gully was a jumbled wasteland of rocks that had been dragged off Will's land through the years.
Looking down at this badlands, which he had made first alone and then with the help of his son (somewhere under the rocks, he knew, were the rotting remains of the stumps he had yanked out one at a time before any of the fields could be tilled), Will had lighted a cigarette and said, "My daddy used to tell me that God loved rocks, houseflies, weeds, and poor people above all the rest of His creations, and that's why He made so many of them."
"But every year it's like they come back."
"Yeah, I think they do," Will said. "That's the only way I know to explain it."
A loon cried from the far side of the Kenduskeag in a dusky sunset that had turned the water a deep orange-red. It was a lonely sound, so lonely that it made Mike's tired arms tighten with gooseflesh.
"I love you, Daddy," he said suddenly, feeling his love so strongly that tears stung his eyes.
"Why, I love you too, Mikey," his father said, and hugged him tight in his strong arms. Mike felt the rough fabric of his father's flannel shirt against his cheek. "Now what do you say we go on back? We got just time to get a bath each before the good woman puts supper on the table."
"Ayuh," Mike said.
"Ayuh yourself," Will Hanlon said, and they both laughed, feeling tired but feeling good, arms and legs worked but not overworked, their hands rock-roughened but not hurting too bad.
Spring's here, Mike thought that night, drowsing off in his room while his mother and father watched The Honeymooners in the other room. Spring's here again, thank You God, thank You very much. And turning to sleep, sinking down, he had heard the loon call again, the distance of its marshes blending into the desire of his dreams. Spring was a busy time, but it was a good time.
Following the rock harvest, Will would park the A in the high grass back of the house and drive the tractor out of the barn. There would be harrowing then, his father driving the tractor, Mike either riding behind and holding on to the iron seat or walking alongside, picking up any rocks they had missed and throwing them aside. Then came planting, and following the planting came summer's work: hoeing . . . hoeing . . . hoeing. His mother would refurbish Larry, Moe, and Curly, their three scarecrows, and Mike would help his father put mooseblowers on top of each straw-filled head. A mooseblower was a can with both ends cut off. You tied a length of heavily waxed and rosined string tightly across the middle of the can and when the wind blew through it a wonderfully spooky sound resulted--a kind of whining croak. Crop-eating birds decided soon enough that Larry, Moe, and Curly were no threats, but the mooseblowers always frightened them off.
Starting in July, there was picking as well as hoeing--peas and radishes first, then the lettuce and the tomatoes that had been started in the shed-boxes, then the corn and beans in August, more corn and beans in September, then the pumpkins and the squash. Somewhere in the midst of all that came the new potatoes, and then, as the days shortened and the air sharpened, he and his dad would take in the mooseblowers (and sometime during the winter they would disappear; it seemed they had to make new ones each spring). The day after, Will would call Norman Sadler (who was as dumb as his son Moose but infinitely more goodhearted), and Normie would come over with his potato-digger.
For the next three weeks all of them would work picking potatoes. In addition to the family, Will would hire three or four high-school boys to help pick, paying them a quarter a barrel. The A-Ford would cruise slowly up and down the rows of the south field, the biggest field, always in low gear, the tailgate down, the back filled with barrels, each marked with the name of the person picking into it, and at the end of the day Will would open his old creased wallet and pay each of the pickers cash money. Mike was paid, and so was his mother; that money was theirs, and Will Hanlon never once asked either of them what they did with it. Mike had been given a five-percent interest in the farm when he was five years old--old enough, Will had told him then, to hold a hoe and to tell the difference between witchgrass and pea-plants. Each year he had been given another one percent, and each year, on the day after Thanksgiving, Will would compute the farm's profits and deduct Mike's share . . . but Mike never saw any of that money. It went into his college account and was to be touched under absolutely no other circumstances.
At last the day would come when Normie Sadler drove his potato-digger back home; by then the air would have most likely turned gray and cold and there would be frost on the drift of orange pumpkins piled against the side of the barn. Mike would stand in the dooryard, his nose red, his dirty hands stuffed into his jeans pockets, and watch as his father drove first the tractor and then the A-Ford back into the barn. He would think: We're getting ready to go to sleep again. Spring . . . vanished. Summer . . . gone. Harvest-time . . . done. All that was left now was the butt end of autumn: leafless trees, frozen ground, a lacing of ice along the banks of the Kenduskeag. In the fields, crows would sometimes land on the shoulders of Moe, Larry, and Curly, and stay as long as they liked. The scarecrows were voiceless, threatless.
Mike would not exactly be dismayed by the thought of another year ending--at nine and ten he was still too young to make mortal metaphors--because there was plenty to look forward to: sledding in McCarron Park (or on Rhulin Hill out here in Derrytown if you were brave, although that was mostly for big kids), ice-skating, snowball fights, snowfort building. There was time to think about snowshoeing out for a Christmas tree with his daddy, and time to think about the Nordica downhill skis he might or might not get for Christmas. Winter was good . . . but watching his father drive the A back into the barn
(spring vanished summer gone harvest-time done)
always made him feel sad, the way the squadrons of birds heading south for the winter made him feel sad, or the way a certain slant of light could sometimes make him feel like crying for no good reason. We're getting ready to go to sleep again....
It was not all school and chores, chores and school; Will Hanlon had told his wife more than once that a boy needed time to go fishing, even if it wasn't fishing he was really doing. When Mike came home from school he first put his books on the TV in the parlor, second made himself some kind of snack (he was particularly partial to peanut-butter-andonion sandwiches, a taste that made his mother raise her hands in helpless horror), and third studied the note his father had left him, telling Mike where he, Will, was and what Mike's chores were--certain rows to be weeded or picked, baskets to be carried, produce to be rotated, the barn to be swept, whatever. But on at least one schoolday a week--and sometimes two--there would be no note. And on these days Mike would go fishing, even if it wasn't really fishing he was doing. Those were great days . . . days when he had no particular place to go and consequently felt no urge to get there in a hurry.
Once in awhile his father left him another sort of note: "No chores," one might say. "Go over to Old Cape & look at trolley tracks." Mike would go over to the Old Cape area, find the streets with the tracks still embedded in them, and inspect them closely, marvelling to think of things like trains that had run right through the middle of the streets. That night he and his father might talk about them, and his dad would show him pictures from his Derry album of the trolleys actually running: a funny pole went from the roof of the trolley up to an electrical wire, and there were cigarette ads on the side. Another time he had sent Mike to Memorial Park, where the Standpipe was, to look at the birdbath, and once they had gone to the courthouse together to look at a terrible machine that Chief Borton had found in the attic. This gadget was called a tramp-chair. It was cast-iron, and there were manacles built into the arms and legs. Rounded knobs stuck out of the back and seat. It reminded Mike of a photograph he had seen in some book--a photograph of the electric chair at Sing Sing. Chief Borton let Mike sit in the tramp-chair and try on the manacles.
After the first ominous novelty of wearing the manacles wore off, Mike looked questioningly at his father and Chief Borton, not sure why this was supposed to be such a horrible punishment for the "vags" (Borton's word for them) that had drifted into town in the twenties and thirties. The knobs made the chair a little uncomfortable to sit in, sure, and the manacles on your wrists and ankles made it hard to shift to a more comfortable position, but--
"Well, you're just a kid," Chief Borton said, laughing. "What do you weigh? Seventy, eighty pounds? Most of the vags Sheriff Sully posted into that chair in the old days would go twice that. They'd feel a bit oncomfortable after an hour or so, really oncomfortable after two or three, and right bad after four or five. After seven or eight hours they'd staat bellerin, and after sixteen or seventeen they'd staat cryin, mostly. And by the time their twenty-four-hour tour was up, they'd be willin to swear before God and man that the next time they came riding the rods up New England way they'd give Derry a wide berth. So far as I know, most of em did. Twenty-four hours in the tramp-chair was a helluva persuader."
Suddenly there seemed to be more knobs in the chair, digging more deeply into his buttocks, spine, the small of his back, even the nape of his neck. "Can I get out now, please?" he said politely, and Chief Borton laughed again. There was a moment, one panicked instant of time, when Mike thought the Chief would only dangle the key to the manacles in front of Mike's eyes and say, Sure I'll let you out ... when your twenty-four hours is up.
"Why did you take me there, Daddy?" he asked on the way home.
"You'll know when you're older," Will had replied.
"You don't like Chief Borton, do you?"
"No," his father had replied in a voice so curt that Mike hadn't dared ask any more.
But Mike enjoyed most of the places in Derry his father sent or took him to, and by the time Mike was ten Will had succeeded in conveying his own interest in the layers of Derry's history to his son. Sometimes, as when he had been trailing his fingers over the slightly pebbled surface of the stand in which the Memorial Park birdbath was set, or when he had squatted down to look more closely at the trolley tracks which grooved Mont Street in the Old Cape, he would be struck by a profound sense of time . . . time as something real, as something that had unseen weight, the way sunlight was supposed to have weight (some of the kids in school had laughed when Mrs. Greenguss told them that, but Mike had been too stunned by the concept to laugh; his first thought had been, Light has weight? Oh my Lord, that's terrible!) ... time as something that would eventually bury him.
The first note his father left him in that spring of 1958 was scribbled on the back of an envelope and held down with a saltshaker. The air was spring-warm, wonderfully sweet, and his mother had opened all the windows. No chores, the note read. If you want to, ride your bike out to Pasture Road. You'll see a lot of tumbled masonry and old machinery out in the field on your left. Have a look around, bring back a souvenir. Don't go near the cellarhole! And be back before dark. You know why.
Mike knew why, all right.
He told his mother where he was going and she frowned. "Why don't you see if Randy Robinson wants to go with you?"
"Yeah, okay, I'll stop by and ask him," Mike said.
He did, too, but Randy had gone up to Bangor with his father to buy seedling potatoes. So Mike rode his bike over to Pasture Road alone. It was a goodish ride--a little over four miles. Mike reckoned it was three o'clock by the time he leaned his bike against an old wooden slat-fence on the left side of Pasture Road and climbed into the field beyond. He would have maybe an hour to explore and then he would have to start home again. Ordinarily, his mother would not be upset with him as long as he was back by six, when she put dinner on the table, but one memorable episode had taught him that wasn't the case this year. On that one occasion when he had been late for dinner, she had been nearly hysterical. She took after him with a dishrag, whopping him with it as he stood open-mouthed in the kitchen entryway, his wicker creel with the rainbow trout in it at his feet.
"Don't you ever scare me like that!" she had screamed. "Don't you ever! Don't you ever! Ever-ever-ever!"
Each ever had been punctuated by another dishrag swat. Mike had expected his father to step in and put a stop to it, but his father hadn't done so.... Perhaps he knew that if he did she would turn her wildcat anger on him as well. Mike had learned the lesson; one whopping with the dishrag was all it took. Home before dark. Yes ma'am, right-o.
He walked across the field toward the titanic ruins standing in the center. This was, of course, the remains of the Kitchener Ironworks--he had ridden past it but had never thought to actually explore it, and he had never heard any kids saying that they had. Now, stooping to examine a few tumbled bricks that had formed a rough cairn, he thought he could understand why. The field was dazzlingly bright, washed by sun from the spring sky (occasionally, as a cloud passed before the sun, a great shutter of shadow would travel slowly across the field), but there was something spooky about it all the same--a brooding silence that was broken only by the wind. He felt like an explorer who has found the last remnants of some fabulous lost city.
Up ahead and to the right, he saw the rounded side of a massive tile cylinder rising out of the high field grass. He ran over to it. It was the Ironworks' main smokestack. He peered into its bore, and felt a fresh chill worm up his spine. It was big enough so he could have walked into it if he had wanted. But he didn't want to; God knew what strange guck there might be, clinging to the smoke-blackened inner tiles, or what nasty bugs or beasts might have taken up residence inside. The wind gusted. When it blew across the mouth of the fallen stack it made a sound eerily like the sound of the wind vibrating the waxed strings he and his dad put in the mooseblowers every spring. He stepped back nervously, suddenly thinking about the movie he and his father had watched last night on the Early Show. It had been called Rodan, and watching it had seemed like great fun at the time, his father laughing and shouting "Git that bird, Mikey!" every time Rodan made its appearance, Mike shooting with his finger until his mom popped her head in and told them to hush up before they gave her a headache with the noise.
It didn't seem so funny now. In the movie Rodan had been released from the bowels of the earth by these Japanese coal-miners who had been digging the world's deepest tunnel. And looking into the black bore of this pipe, it was all too easy to imagine that bird crouched at the far end, leathery batlike wings folded over its back, staring at the small, round boyface looking into the darkness, staring, staring with its gold-ringed eyes....
Shivering, Mike pulled back.
He walked aways down the smokestack, which had sunken into the earth to half of its circumference. The land rose slightly, and on impulse he scrambled his way up on top. The stack was a lot less scary on the outside, its tiled surface sunwarm. He got to his feet and strolled along, holding his arms out (the surface was really too wide for him to need to worry about falling off, but he was pretending he was a tightwire-walker in the circus), liking the way the wind blew through his hair.
At the far end he jumped down and began to examine stuff: more bricks, twisted molds, hunks of wood, pieces of rusty machinery. Bring back a souvenir, his father's note had said: he wanted a good one.
He wandered closer to the mill's yawning cellarhold, looking at the debris, being careful not to cut himself on the broken glass. There was a lot of it around.
Mike was not unmindful of the cellarhold and his father's warning to stay out of it; neither was he unmindful of the death that had been dealt out on this spot fifty-odd years before. He supposed that if there was a haunted place in Derry, this was it. But either in spite of that or because of it, he was determined to stay until he found something really good to take back and show his father.
He moved slowly and soberly toward the cellarhold, changing his course to parallel its ragged side, when a warning voice inside whispered that he was getting too close, that a bank weakened by the spring rains could crumble under his heels and pitch him into that hole, where God only knew how much sharp iron might be waiting to impale him like a bug, leaving him to die a rusty twitching death.
He picked up a window-sash and tossed it aside. Here was a dipper big enough for a giant's table, its handle rippled and warped by some unimaginable flash of heat. Here was a piston too big for him to even budge, let alone lift. He stepped over it. He stepped over it and--
What if I find a skull? he thought suddenly. The skull of one of the kids who were killed here while they were hunting for chocolate Easter eggs back in nineteen-whenever-it-was?
He looked around the sunwashed empty field, nastily shocked by the idea. The wind blew a low conch-note in his ears and another shadow cruised silently across the field, like the shadow of a giant bat . . . or bird. He became aware all over again of how quiet it was here, and how strange the field looked with its straggling piles of mas