The Stand by Stephen King
l each other stories about how we survived the great plague of 1990. Most of the societies that form are apt to be primitive dictatorships run by little Caesars unless we're very lucky. A few may be enlightened, democratic communities, and I'll tell you exactly what the necessary requirement for that kind of society in the 1990s and early 2000s is going to be: a community with enough technical people in it to get the lights back on. It could be done, and very easily. This isn't the aftermath of a nuclear war, with everything laid to waste. All the machinery is just sitting there, waiting for someone to come along--the right someone, who knows how to clean the plugs and replace a few burned-out bearings--and start it up again. It's all a question of how many of those who have been spared understand the technology we all took for granted."
Stu sipped his beer. "Think so?"
"Sure." Bateman took a swallow of his own beer, then leaned forward and smiled grimly at Stu. "Now let me give you a hypothetical situation, Mr. Stuart Redman from East Texas. Suppose we have Community A in Boston and Community B in Utica. They are aware of each other, and each community is aware of the conditions in the other community's camp. Society A is in good shape. They are living on Beacon Hill in the lap of luxury because one of their members just happens to be a Con Ed repairman. This guy knows just enough to get the power plant which serves Beacon Hill running again. It would mostly be a matter of knowing which switches to pull when the plant went into an automatic shutdown. Once it's running, it's almost all automated anyhow. The repairman can teach other members of Society A which levers to pull and which gauges to watch. The turbines run on oil, of which there is a glut, because everybody who used to use it is as dead as old Dad's hatband. So in Boston, the juice is flowing. There's heat against the cold, light so you can read at night, refrigeration so you can have your Scotch on the rocks like a civilized man. In fact, life is pretty damn near idyllic. No pollution. No drug problem. No race problem. No shortages. No money or barter problem, because all the goods, if not the services, are out on display and there are enough of them to last a radically reduced society for three centuries. Sociologically speaking, such a group would probably become communal in nature. No dictatorship here. The proper breeding ground for dictatorship, conditions of want, need, uncertainty, privation ... they simply wouldn't exist. Boston would probably end up being run by a town meeting form of government again.
"But Community B, up there in Utica. There's no one to run the power plant. The technicians are all dead. It's going to take a long time for them to figure out how to make things go again. In the meantime, they're cold at night (and winter is coming), they're eating out of cans, they're miserable. A strongman takes over. They're glad to have him because they're confused and cold and sick. Let him make the decisions. And of course he does. He sends someone to Boston with a request. Will they send their pet technician up to Utica to help them get their power plant going again? The alternative is a long and dangerous move south for the winter. So what does Community A do when they get this message?"
"They send the guy?" Stu asked.
"Christ's testicles, no! He might be held against his will, in fact it would be extremely likely. In the post-flu world, technological know-how is going to replace gold as the most perfect medium of exchange. And in those terms, Society A is rich and Society B is poor. So what does Society B do?"
"I guess they go south," Stu said, then grinned. "Maybe even to East Texas."
"Maybe. Or maybe they threaten the Boston people with a nuclear warhead."
"Right," Stu said. "They can't get their power plant going, but they can fire a nuclear missile at Beantown."
Bateman said, "If it was me, I wouldn't bother with a missile. I'd just try to figure out how to detach the warhead, then drive it to Boston in a station wagon. Think that would work?"
"Dogged if I know."
"Even if it didn't, there are plenty of conventional weapons around. That's the point. All of that stuff is lying around, waiting to be picked up. And if Communities A and B both have pet technicians, they might work up some kind of rusty nuclear exchange over religion, or territoriality or some paltry ideological difference. Just think, instead of six or seven world nuclear powers, we may end up with sixty or seventy of them right here in the continental United States. If the situation were different, I'm sure that there would be fighting with rocks and spiked clubs. But the fact is, all the old soldiers have faded away and left their playthings behind. It's a grim thing to be thinking about, especially after so many grim things have already happened... but I'm afraid it's entirely possible."
A silence fell between them. Far off they could hear Kojak barking in the woods as the day turned on its noontime axis.
"You know," Bateman said finally, "I'm fundamentally a cheerful man. Maybe because I have a low threshold of satisfaction. It's made me greatly disliked in my field. I have my faults; I talk too much, as you've heard, and I'm a terrible painter, as you've seen, and I used to be terribly unwise with money. I sometimes spent the last three days before payday eating peanut butter sandwiches and I was notorious in Woodsville for opening savings accounts and then closing them out a week later. But I never really let it get me down, Stu. Eccentric but cheerful, that's me. The only bane of my life has been my dreams. Ever since boyhood I've been plagued by amazingly vivid dreams. A lot of them have been nasty. As a youngster it was trolls under bridges that reached up and grabbed my foot or a witch that turned me into a bird... I would open my mouth to scream, and nothing but a string of caws would come out. Do you ever have bad dreams, Stu?"
"Sometimes," Stu said, thinking of Elder, and how Elder lurched after him in his nightmares, and of the corridors that never ended but only switched back on themselves, lit by cold fluorescents and filled with echoes.
"Then you know. When I was a teenager, I had the regular quota of sexy dreams, both wet and dry, but these were sometimes interspersed with dreams in which the girl I was with would change into a toad, or a snake, or even a decaying corpse. As I grew older I had dreams of failure, dreams of degredation, dreams of suicide, dreams of horrible accidental death. The most recurrent was one where I was slowly being crushed to death under a gas station lift. All simple permutations of the troll-dream, I suppose. I really believe that such dreams are a simple psychological emetic, and the people who have them are more blessed than cursed."
"If you get rid of it, it doesn't pile up."
"Exactly. There are all sorts of dream interpretations, Freud's being the most notorious, but I have always believed they served a simple eliminatory function, and not much more--that dreams are the psyche's way of taking a good dump every now and then. And that people who don't dream--or don't dream in a way they can often remember when they wake up--are mentally constipated in some way. After all, the only practical compensation for having a nightmare is waking up and realizing it was all just a dream."
Stu smiled.
"But lately, I've had an extremely bad dream. It recurs, like my dream of being crushed to death under the lift, but it makes that one look like a pussycat in comparison. It's like no other dream I've ever had, but somehow it's like all of them. As if ... as if it were the sum of all bad dreams. And I wake up feeling bad, as if it wasn't a dream at all, but a vision. I know how crazy that must sound."
"What is it?"
"It's a man," Bateman said quietly. "At least, I think it's a man. He's standing on the roof of a high building, or maybe it's a cliff that he's on. Whatever it is, it's so high that it sheers away into mist thousands of feet below. It's near sunset, but he's looking the other way, east. Sometimes he seems to be wearing bluejeans and a denim jacket, but more often he's in a robe with a cowl. I can never see his face, but I can see his eyes. He has red eyes. And I have a feeling that he's looking for me--and that sooner or later he will find me or I will be forced to go to him... and that will be the death of me. So I try to scream, and..." He trailed off with an embarrassed little shrug.
"That's when you wake up?"
"Yes." They watched Kojak come trotting back, and Bateman patted him while Kojak nosed in the aluminum dish and cleaned up the last of the poundcake.
"Well, it's just a dream, I suppose," Bateman said. He stood up, wincing as his knees popped. "If I were being psychoanalyzed, I suppose the shrink would say the dream expresses my unconscious fear of some leader or leaders who will start the whole thing going again. Maybe a fear of technology in general. Because I do believe that all the new societies which arise, at least in the Western world, will have technology as their cornerstone. It's a pity, and it needn't be, but it will be, because we are hooked. They won't remember--or won't choose to remember-- the corner we had painted ourselves into. The dirty rivers, the hole in the ozone layer, the atomic bomb, the atmospheric pollution. All they'll remember is that once upon a time they could keep warm at night without expending much effort to do it. I'm a Luddite on top of my other failings, you see. But this dream... it preys on me, Stu."
Stu said nothing.
"Well, I want to get back," Bateman said briskly. "I'm halfway drunk already, and I believe there will be thundershowers this afternoon. " He walked to the back of the clearing and rummaged there. A few moments later he came back with a wheelbarrow. He screwed the piano stool down to its lowest elevation, put it in, added his palette, the picnic cooler, and balanced precariously on top of everything else, his mediocre painting.
"You wheeled that all the way out here?" Stu asked.
"I wheeled it until I saw something I wanted to paint. I go different ways on different days. It's good exercise. If you're going east, why don't you come back to Woodsville and spend the night at my house? We can take turns wheeling the barrow, and I've got yet another six-pack of beer cooling in yonder stream. That ought to get us home in style."
"I accept," Stu said.
"Good man. I'll probably talk all the way home. You are in the arms of the Garrulous Professor, East Texas. When I bore you, just tell me to shut up. I won't be offended."
"I like to listen," Stu said.
"Then you are one of God's chosen. Let's go."
So they walked on down 302, one of them wheeling the barrow while the other drank a beer. No matter which was which, Bateman talked, an endless monologue that jumped from topic to topic with hardly a pause. Kojak bounced alongside. Stu would listen for a while, then his thoughts would trail off for a while, following their own tangents, and then his mind would come back. He was disquieted by Bateman's picture of a hundred little enclaves of people, some of them militaristic, living in a country where thousands of doomsday weapons had been left around like a child's set of blocks. But oddly, the thing his mind kept returning to was Glen Bateman's dream, the man with no face on top of the high building--or the cliff-edge--the man with the red eyes, his back to the setting sun, looking restlessly to the east.
He woke up sometime before midnight, bathed in sweat, afraid he had screamed. But in the next room, Glen Bateman's breathing was slow and regular, undisturbed, and in the hallway he could see Kojak sleeping with his head on his paws. Everything was picked out in moonlight so bright it was surreal.
When he woke, Stu had been up on his elbows, and now he lowered himself back to the damp sheet and put an arm over his eyes, not wanting to remember the dream but helpless to avoid it.
He had been in Stovington again. Elder was dead. Everyone was dead. The place was an echoing tomb. He was the only one alive, and he couldn't find the way out. At first he tried to control his panic. Walk, don't run, he told himself over and over, but soon he would have to run. His stride was becoming quicker and quicker, and the urge to look back over his shoulder and make sure that it was only the echoes behind him was becoming insuperable.
He walked past closed office doors with names written in black on milky frosted glass. Past an overturned gurney. Past the body of a nurse with her white skirt rucked up to her thighs, her blackened, grimacing face staring at the cold white inverted icecube trays that were the ceiling fluorescents.
At last he began to run.
Faster, faster, the doors slipping by him and gone, his feet pounding on the linoleum. Orange arrows oozing on white cinderblock. Signs. At first they seemed right: RADIOLOGY and CORRIDOR B TO LABS and DO NOT PROCEED BEYOND THIS POINT WITHOUT VALID PASS. And then he was in another part of the installation, a part he had never seen and had never been meant to see. The paint on these walls had begun to peel and flake. Some of the fluorescents were out; others buzzed like flies caught in a screen. Some of the frosted glass office windows were shattered, and through the stellated holes he had been able to see wreckage and bodies in terrible positions of pain. There was blood. These people had not died of the flu. These people had been murdered. Their bodies had sustained punctures and gunshot wounds and the grisly traumas which could only have been inflicted by blunt instruments. Their eyes bulged and stared.
He plunged down a stopped escalator and into a long dark tunnel lined with tile. At the other end there were more offices, but now the doors were painted dead black. The arrows were bright red. The fluorescents buzzed and flickered. The signs read THIS WAY TO COBALT URNS and LASER ARMORY and SIDEWINDER MISSILES and PLAGUE ROOM. Then, sobbing with relief, he saw an arrow pointing around a right-angled turn, and the single blessed word above it: EXIT.
He went around the corner and the door was standing open. Beyond it was the sweet, fragrant night. He plunged toward the door and then, stepping into it, blocking his way, was a man in jeans and a denim jacket. Stu skidded to a stop, a scream locked in his throat like rusty iron. As the man stepped into the glow of the flickering fluorescents, Stu saw that there was only a cold black shadow where his face should have been, a blackness punched by two soulless red eyes. No soul, but a sense of humor. There was that; a kind of dancing, lunatic glee.
The dark man put out his hands, and Stu saw that they were dripping blood.
"Heaven and earth," the dark man whispered from that empty hole where his face should have been. "All of heaven and earth."
Stu had awakened.
Now Kojak moaned and growled softly in the hall. His paws twitched in his sleep, and Stu supposed that even dogs dreamed. It was a perfectly natural thing, dreaming, even an occasional nightmare.
But it was a long time before he could get back to sleep.
CHAPTER 38
As the superflu epidemic wound down, there was a second epidemic that lasted roughly two weeks. This epidemic was most common in technological societies such as the United States, least common in underdeveloped countries such as Peru or Senegal. In the United States the second epidemic took about 16 percent of the superflu survivors. In places like Peru and Senegal, no more than 3 percent. The second epidemic had no name because the symptoms differed wildly from case to case. A sociologist like Glen Bateman might have called this second epidemic "natural death" or "those ole emergency room blues." In a strictly Darwinian sense, it was the final cut--the unkindest cut of all, some might have said.
Sam Tauber was five and a half years old. His mother had died on June the twenty-fourth in the Murfreesboro, Georgia, General Hospital. On the twenty-fifth, his father and younger sister, two-year-old April, had died. On June the twenty-seventh, his older brother Mike died, leaving Sam to shift for himself.
Sam had been in shock ever since the death of his mother. He wandered carelessly up and down the streets of Murfreesboro, eating when he was hungry, sometimes crying. After a while he stopped crying, because crying did no good. It didn't bring the people back. At night his sleep was broken by horrible nightmares in which Papa and April and Mike died over and over, their faces swollen black, a terrible rattling sound in their chests as they strangled on their own snot.
At quarter of ten on the morning of July 2, Sam wandered into a field of wild blackberries behind Hattie Reynolds's house. Bemused and vacant-eyed, he zigzagged among blackberry bushes that were almost twice as tall as he was, picking the berries and eating them until his lips and chin were smeared black. The thorns ripped at his clothes and sometimes at his bare flesh, but he barely noticed. Bees hummed drowsily around him. He never saw the old and rotted well-cover half buried in tall grass and blackberry creepers. It gave under his weight with a grinding, splintering crash, and Sam plunged twenty feet down the rock-lined shaft to the dry bottom, where he broke both legs. He died twenty hours later, as much from fear and misery as from shock and hunger and dehydration.
Irma Fayette lived in Lodi, California. She was a lady of twenty-six, a virgin, morbidly afraid of rape. Her life had been one long nightmare since June twenty-third, when looting had broken out in town and there had been no police to stop the looters. Irma had a small house on a side-street; her mother had lived there with her until she had died of a stroke in 1985. When the looting began, and the gunshots, and the horrifying sound of drunken men roaring up and down the streets of the main business section on motorcycles, Irma had locked all the doors and then had hidden in the spare room downstairs. Since then she had crept upstairs periodically, quiet as a mouse, to get food or to relieve herself.
Irma didn't like people. If everyone on earth had died but her, she would have been perfectly happy. But that wasn't the case. Only yesterday, after she had begun cautiously to hope that no one was left in Lodi but her, she had seen a gross and drunken man, a hippie man in a T-shirt that said I GAVE UP SEX AND DRINKING AND IT WAS THE SCARIEST 20 MINUTES OF MY LIFE, wandering up the street with a bottle of whiskey in his hand. He had long blond hair which cascaded out from under the gimme cap he was wearing and all the way down to his shoulders. Tucked into the waistband of his tight bluejeans was a pistol. Irma had peeked around the bedroom curtain at him until he was out of sight and then had scurried downstairs to the barricaded spare room as if she had been released from a malign spell.
They were not all dead. If there was one hippie man left, there would be other hippie men. And they would all be rapers. They would rape her. Sooner or later they would find her and rape her.
This morni
Stu sipped his beer. "Think so?"
"Sure." Bateman took a swallow of his own beer, then leaned forward and smiled grimly at Stu. "Now let me give you a hypothetical situation, Mr. Stuart Redman from East Texas. Suppose we have Community A in Boston and Community B in Utica. They are aware of each other, and each community is aware of the conditions in the other community's camp. Society A is in good shape. They are living on Beacon Hill in the lap of luxury because one of their members just happens to be a Con Ed repairman. This guy knows just enough to get the power plant which serves Beacon Hill running again. It would mostly be a matter of knowing which switches to pull when the plant went into an automatic shutdown. Once it's running, it's almost all automated anyhow. The repairman can teach other members of Society A which levers to pull and which gauges to watch. The turbines run on oil, of which there is a glut, because everybody who used to use it is as dead as old Dad's hatband. So in Boston, the juice is flowing. There's heat against the cold, light so you can read at night, refrigeration so you can have your Scotch on the rocks like a civilized man. In fact, life is pretty damn near idyllic. No pollution. No drug problem. No race problem. No shortages. No money or barter problem, because all the goods, if not the services, are out on display and there are enough of them to last a radically reduced society for three centuries. Sociologically speaking, such a group would probably become communal in nature. No dictatorship here. The proper breeding ground for dictatorship, conditions of want, need, uncertainty, privation ... they simply wouldn't exist. Boston would probably end up being run by a town meeting form of government again.
"But Community B, up there in Utica. There's no one to run the power plant. The technicians are all dead. It's going to take a long time for them to figure out how to make things go again. In the meantime, they're cold at night (and winter is coming), they're eating out of cans, they're miserable. A strongman takes over. They're glad to have him because they're confused and cold and sick. Let him make the decisions. And of course he does. He sends someone to Boston with a request. Will they send their pet technician up to Utica to help them get their power plant going again? The alternative is a long and dangerous move south for the winter. So what does Community A do when they get this message?"
"They send the guy?" Stu asked.
"Christ's testicles, no! He might be held against his will, in fact it would be extremely likely. In the post-flu world, technological know-how is going to replace gold as the most perfect medium of exchange. And in those terms, Society A is rich and Society B is poor. So what does Society B do?"
"I guess they go south," Stu said, then grinned. "Maybe even to East Texas."
"Maybe. Or maybe they threaten the Boston people with a nuclear warhead."
"Right," Stu said. "They can't get their power plant going, but they can fire a nuclear missile at Beantown."
Bateman said, "If it was me, I wouldn't bother with a missile. I'd just try to figure out how to detach the warhead, then drive it to Boston in a station wagon. Think that would work?"
"Dogged if I know."
"Even if it didn't, there are plenty of conventional weapons around. That's the point. All of that stuff is lying around, waiting to be picked up. And if Communities A and B both have pet technicians, they might work up some kind of rusty nuclear exchange over religion, or territoriality or some paltry ideological difference. Just think, instead of six or seven world nuclear powers, we may end up with sixty or seventy of them right here in the continental United States. If the situation were different, I'm sure that there would be fighting with rocks and spiked clubs. But the fact is, all the old soldiers have faded away and left their playthings behind. It's a grim thing to be thinking about, especially after so many grim things have already happened... but I'm afraid it's entirely possible."
A silence fell between them. Far off they could hear Kojak barking in the woods as the day turned on its noontime axis.
"You know," Bateman said finally, "I'm fundamentally a cheerful man. Maybe because I have a low threshold of satisfaction. It's made me greatly disliked in my field. I have my faults; I talk too much, as you've heard, and I'm a terrible painter, as you've seen, and I used to be terribly unwise with money. I sometimes spent the last three days before payday eating peanut butter sandwiches and I was notorious in Woodsville for opening savings accounts and then closing them out a week later. But I never really let it get me down, Stu. Eccentric but cheerful, that's me. The only bane of my life has been my dreams. Ever since boyhood I've been plagued by amazingly vivid dreams. A lot of them have been nasty. As a youngster it was trolls under bridges that reached up and grabbed my foot or a witch that turned me into a bird... I would open my mouth to scream, and nothing but a string of caws would come out. Do you ever have bad dreams, Stu?"
"Sometimes," Stu said, thinking of Elder, and how Elder lurched after him in his nightmares, and of the corridors that never ended but only switched back on themselves, lit by cold fluorescents and filled with echoes.
"Then you know. When I was a teenager, I had the regular quota of sexy dreams, both wet and dry, but these were sometimes interspersed with dreams in which the girl I was with would change into a toad, or a snake, or even a decaying corpse. As I grew older I had dreams of failure, dreams of degredation, dreams of suicide, dreams of horrible accidental death. The most recurrent was one where I was slowly being crushed to death under a gas station lift. All simple permutations of the troll-dream, I suppose. I really believe that such dreams are a simple psychological emetic, and the people who have them are more blessed than cursed."
"If you get rid of it, it doesn't pile up."
"Exactly. There are all sorts of dream interpretations, Freud's being the most notorious, but I have always believed they served a simple eliminatory function, and not much more--that dreams are the psyche's way of taking a good dump every now and then. And that people who don't dream--or don't dream in a way they can often remember when they wake up--are mentally constipated in some way. After all, the only practical compensation for having a nightmare is waking up and realizing it was all just a dream."
Stu smiled.
"But lately, I've had an extremely bad dream. It recurs, like my dream of being crushed to death under the lift, but it makes that one look like a pussycat in comparison. It's like no other dream I've ever had, but somehow it's like all of them. As if ... as if it were the sum of all bad dreams. And I wake up feeling bad, as if it wasn't a dream at all, but a vision. I know how crazy that must sound."
"What is it?"
"It's a man," Bateman said quietly. "At least, I think it's a man. He's standing on the roof of a high building, or maybe it's a cliff that he's on. Whatever it is, it's so high that it sheers away into mist thousands of feet below. It's near sunset, but he's looking the other way, east. Sometimes he seems to be wearing bluejeans and a denim jacket, but more often he's in a robe with a cowl. I can never see his face, but I can see his eyes. He has red eyes. And I have a feeling that he's looking for me--and that sooner or later he will find me or I will be forced to go to him... and that will be the death of me. So I try to scream, and..." He trailed off with an embarrassed little shrug.
"That's when you wake up?"
"Yes." They watched Kojak come trotting back, and Bateman patted him while Kojak nosed in the aluminum dish and cleaned up the last of the poundcake.
"Well, it's just a dream, I suppose," Bateman said. He stood up, wincing as his knees popped. "If I were being psychoanalyzed, I suppose the shrink would say the dream expresses my unconscious fear of some leader or leaders who will start the whole thing going again. Maybe a fear of technology in general. Because I do believe that all the new societies which arise, at least in the Western world, will have technology as their cornerstone. It's a pity, and it needn't be, but it will be, because we are hooked. They won't remember--or won't choose to remember-- the corner we had painted ourselves into. The dirty rivers, the hole in the ozone layer, the atomic bomb, the atmospheric pollution. All they'll remember is that once upon a time they could keep warm at night without expending much effort to do it. I'm a Luddite on top of my other failings, you see. But this dream... it preys on me, Stu."
Stu said nothing.
"Well, I want to get back," Bateman said briskly. "I'm halfway drunk already, and I believe there will be thundershowers this afternoon. " He walked to the back of the clearing and rummaged there. A few moments later he came back with a wheelbarrow. He screwed the piano stool down to its lowest elevation, put it in, added his palette, the picnic cooler, and balanced precariously on top of everything else, his mediocre painting.
"You wheeled that all the way out here?" Stu asked.
"I wheeled it until I saw something I wanted to paint. I go different ways on different days. It's good exercise. If you're going east, why don't you come back to Woodsville and spend the night at my house? We can take turns wheeling the barrow, and I've got yet another six-pack of beer cooling in yonder stream. That ought to get us home in style."
"I accept," Stu said.
"Good man. I'll probably talk all the way home. You are in the arms of the Garrulous Professor, East Texas. When I bore you, just tell me to shut up. I won't be offended."
"I like to listen," Stu said.
"Then you are one of God's chosen. Let's go."
So they walked on down 302, one of them wheeling the barrow while the other drank a beer. No matter which was which, Bateman talked, an endless monologue that jumped from topic to topic with hardly a pause. Kojak bounced alongside. Stu would listen for a while, then his thoughts would trail off for a while, following their own tangents, and then his mind would come back. He was disquieted by Bateman's picture of a hundred little enclaves of people, some of them militaristic, living in a country where thousands of doomsday weapons had been left around like a child's set of blocks. But oddly, the thing his mind kept returning to was Glen Bateman's dream, the man with no face on top of the high building--or the cliff-edge--the man with the red eyes, his back to the setting sun, looking restlessly to the east.
He woke up sometime before midnight, bathed in sweat, afraid he had screamed. But in the next room, Glen Bateman's breathing was slow and regular, undisturbed, and in the hallway he could see Kojak sleeping with his head on his paws. Everything was picked out in moonlight so bright it was surreal.
When he woke, Stu had been up on his elbows, and now he lowered himself back to the damp sheet and put an arm over his eyes, not wanting to remember the dream but helpless to avoid it.
He had been in Stovington again. Elder was dead. Everyone was dead. The place was an echoing tomb. He was the only one alive, and he couldn't find the way out. At first he tried to control his panic. Walk, don't run, he told himself over and over, but soon he would have to run. His stride was becoming quicker and quicker, and the urge to look back over his shoulder and make sure that it was only the echoes behind him was becoming insuperable.
He walked past closed office doors with names written in black on milky frosted glass. Past an overturned gurney. Past the body of a nurse with her white skirt rucked up to her thighs, her blackened, grimacing face staring at the cold white inverted icecube trays that were the ceiling fluorescents.
At last he began to run.
Faster, faster, the doors slipping by him and gone, his feet pounding on the linoleum. Orange arrows oozing on white cinderblock. Signs. At first they seemed right: RADIOLOGY and CORRIDOR B TO LABS and DO NOT PROCEED BEYOND THIS POINT WITHOUT VALID PASS. And then he was in another part of the installation, a part he had never seen and had never been meant to see. The paint on these walls had begun to peel and flake. Some of the fluorescents were out; others buzzed like flies caught in a screen. Some of the frosted glass office windows were shattered, and through the stellated holes he had been able to see wreckage and bodies in terrible positions of pain. There was blood. These people had not died of the flu. These people had been murdered. Their bodies had sustained punctures and gunshot wounds and the grisly traumas which could only have been inflicted by blunt instruments. Their eyes bulged and stared.
He plunged down a stopped escalator and into a long dark tunnel lined with tile. At the other end there were more offices, but now the doors were painted dead black. The arrows were bright red. The fluorescents buzzed and flickered. The signs read THIS WAY TO COBALT URNS and LASER ARMORY and SIDEWINDER MISSILES and PLAGUE ROOM. Then, sobbing with relief, he saw an arrow pointing around a right-angled turn, and the single blessed word above it: EXIT.
He went around the corner and the door was standing open. Beyond it was the sweet, fragrant night. He plunged toward the door and then, stepping into it, blocking his way, was a man in jeans and a denim jacket. Stu skidded to a stop, a scream locked in his throat like rusty iron. As the man stepped into the glow of the flickering fluorescents, Stu saw that there was only a cold black shadow where his face should have been, a blackness punched by two soulless red eyes. No soul, but a sense of humor. There was that; a kind of dancing, lunatic glee.
The dark man put out his hands, and Stu saw that they were dripping blood.
"Heaven and earth," the dark man whispered from that empty hole where his face should have been. "All of heaven and earth."
Stu had awakened.
Now Kojak moaned and growled softly in the hall. His paws twitched in his sleep, and Stu supposed that even dogs dreamed. It was a perfectly natural thing, dreaming, even an occasional nightmare.
But it was a long time before he could get back to sleep.
CHAPTER 38
As the superflu epidemic wound down, there was a second epidemic that lasted roughly two weeks. This epidemic was most common in technological societies such as the United States, least common in underdeveloped countries such as Peru or Senegal. In the United States the second epidemic took about 16 percent of the superflu survivors. In places like Peru and Senegal, no more than 3 percent. The second epidemic had no name because the symptoms differed wildly from case to case. A sociologist like Glen Bateman might have called this second epidemic "natural death" or "those ole emergency room blues." In a strictly Darwinian sense, it was the final cut--the unkindest cut of all, some might have said.
Sam Tauber was five and a half years old. His mother had died on June the twenty-fourth in the Murfreesboro, Georgia, General Hospital. On the twenty-fifth, his father and younger sister, two-year-old April, had died. On June the twenty-seventh, his older brother Mike died, leaving Sam to shift for himself.
Sam had been in shock ever since the death of his mother. He wandered carelessly up and down the streets of Murfreesboro, eating when he was hungry, sometimes crying. After a while he stopped crying, because crying did no good. It didn't bring the people back. At night his sleep was broken by horrible nightmares in which Papa and April and Mike died over and over, their faces swollen black, a terrible rattling sound in their chests as they strangled on their own snot.
At quarter of ten on the morning of July 2, Sam wandered into a field of wild blackberries behind Hattie Reynolds's house. Bemused and vacant-eyed, he zigzagged among blackberry bushes that were almost twice as tall as he was, picking the berries and eating them until his lips and chin were smeared black. The thorns ripped at his clothes and sometimes at his bare flesh, but he barely noticed. Bees hummed drowsily around him. He never saw the old and rotted well-cover half buried in tall grass and blackberry creepers. It gave under his weight with a grinding, splintering crash, and Sam plunged twenty feet down the rock-lined shaft to the dry bottom, where he broke both legs. He died twenty hours later, as much from fear and misery as from shock and hunger and dehydration.
Irma Fayette lived in Lodi, California. She was a lady of twenty-six, a virgin, morbidly afraid of rape. Her life had been one long nightmare since June twenty-third, when looting had broken out in town and there had been no police to stop the looters. Irma had a small house on a side-street; her mother had lived there with her until she had died of a stroke in 1985. When the looting began, and the gunshots, and the horrifying sound of drunken men roaring up and down the streets of the main business section on motorcycles, Irma had locked all the doors and then had hidden in the spare room downstairs. Since then she had crept upstairs periodically, quiet as a mouse, to get food or to relieve herself.
Irma didn't like people. If everyone on earth had died but her, she would have been perfectly happy. But that wasn't the case. Only yesterday, after she had begun cautiously to hope that no one was left in Lodi but her, she had seen a gross and drunken man, a hippie man in a T-shirt that said I GAVE UP SEX AND DRINKING AND IT WAS THE SCARIEST 20 MINUTES OF MY LIFE, wandering up the street with a bottle of whiskey in his hand. He had long blond hair which cascaded out from under the gimme cap he was wearing and all the way down to his shoulders. Tucked into the waistband of his tight bluejeans was a pistol. Irma had peeked around the bedroom curtain at him until he was out of sight and then had scurried downstairs to the barricaded spare room as if she had been released from a malign spell.
They were not all dead. If there was one hippie man left, there would be other hippie men. And they would all be rapers. They would rape her. Sooner or later they would find her and rape her.
This morni